Patterson: to kiss a flower goodbye By Ksenia Soboleva Adam Higgins: Lonesome By Eileen Havant Townsend.Emilie Louise Gossiaux: Significant Otherness By Cassie Packard.
Oscar Murillo: Ourself behind ourself concealed By Phyllis Tuchman.Tomas Vu: The Man Who Fell to Earth 76|22 By Amanda Millet-Sorsa.
Tomas Vu: The Man Who Fell to Earth 76/22 By Jonathan Goodman.Robert Motherwell: Lyric Suite By Robert C.The earth leaked red ochre By William Corwin.Martin Wong: Dream Fungus: Early Works 1967-1978 By Christian Liclair.Marguerite Louppe: Diagramming Space By Jonathan Goodman.Perle Fine: A Retrospective By Tennae Maki.Scott Kahn: The Walled City By Andrew L.Naudline Pierre: Enter the Realm By Amanda Millet-Sorsa.In All Innocence: Women, Children and Others at the Venice Biennale By Nancy Princenthal.Patterson: to kiss a flower goodbye By David Ebony Unnatural Nature: Post-Pop Landscapes By Alfred Mac Adam.Turba Tol Hol-Hol Tol: The Chilean Pavilion at the 59th Venice Biennale By Monika Fabijanska.Liliane Tomasko: Evening Wind By Raphy Sarkissian.Karen Kilimnik: Early Drawings 1976 – 1998 By Nick Marsico-Morea.Sam McKinniss: Mischief By Jacob Brooks.Marina Adams: What Are You Listening To? By Charlie M.Martin: Something is Rotten in the State of Everything Everywhere By Hunter Braithwaite Peter van Agtmael: Look at the USA By Jake Romm.Edith Schloss: Blue Italian Skies Above By Barbara A.Glenda León: Every Shape is a Shape of Time By Joyce Beckenstein.Bernard Piffaretti with Raphael Rubinstein.Singing in Unison: Artists Need to Create On the Same Scale That Society Has the Capacity to Destroy.Architect Eyal Weizman identifies the role of the roundabout as a site of eruption in recent uprisings and revolutions in The Roundabout Revolutions from the Critical Spatial Practice series.A message from Phong Bui Publisher and Artistic Director Art We turn to artist Amar Kanwar’s video installation The Torn First Pages-referring to the Burmese bookshop owner who was imprisoned for tearing out pages with government propaganda in the books and journals he sold-and scholar and critic Erika Balsom’s essay on this work in Thyssen-Bornemisza Art Contemporary: The Commissions Book. Artist and researcher Sonia Boyce reconciles the aesthetic strategies of collage and montage with the political address to racism and nationalism in artworks by Rasheed Araeen and Eddie Chamber, included in The Place Is Here: The Work of Black Artists in 1980s Britain. From Conflictual Aesthetics: Artistic Activism and the Public Sphere, philosopher Oliver Marchart proposes an aesthetics of agitating, propagating, and organizing.
Our series of shared excerpts continues with a fifth installment focusing on issues of democracy and protest.
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